Can you describe yourself in 1–2 sentences?
I'm Tonje aka Tonchius, Oslo-based DJ, producer and co-founder of Continually Records alongside Rub800, with passion for vinyl digging-, music- and club culture.

What is your relationship to DGS, and what has the platform meant to you?
I’ve been closely connected to DGS as both a friend and part of the collective—releasing music on the label and playing at several of their parties. Together with Ronya, I also co-ran the DGS sister concept during our monthly residency at Casablanca. To me, DGS is a platform that consistently pushes some of the most exciting club sounds in Oslo, rooted in a shared passion for vinyl and quality music.

How would you describe your expression as a DJ/producer today compared to when you first started?
I am more confident in expressing myself through music and experimental sounds. I used to think that I had to keep my digs secret, but now realise it should be shared for those who want to discover, so here is the tracklist:

STNH - Yeay!, Knuggles (DE 2012)
Anthony Teasdale - Entwined Minds, Euphoric State (UK2022)
Truck Driver - Computer Rage, D.A.M.N. (DE 2025)
Modeler - You Got Me, Front Room (UK 2001)
John Storm N' Da Kid - Devices, Grill (NO 2000)
Fade 2 End - Feel The Magic, Shining Path (UK 1996)
Shawn Ward - Holiday, Flat & Round (UK 2004)
The Coastal Commission - Bring Down The Walls, PCH (US 2003)
Tonchius - Waiting For Tee, Continually (NO 2025)
TB Shine - Red Army Moody Troopers, OBI Trackz (NL 2025)
Integer - Laisser Faire, H.A. 9 (UK 1996)
Hakim Murphy - Spaceness, Mentha (US 2017)

What kind of story or atmosphere did you want to convey with this mix?
I went in aiming for a peak-time set, but the mood shifted while recording. It moves between dark and euphoric—mirroring where I’m at—blending trippy, techy house with touches of electro, techno, and breaks. Midway through, I got news that a friend in the music community had passed, and I think you can hear that moment if you listen closely.

Which 2–3 tracks from the mix would you like to highlight, and why?
I want to highlight all the tracks, that's why I shared the tracklist 😉 But if I have to pick one it would be John Storm N' Da Kid – Devices. It’s a B‑side on a super rare Norwegian 12” that has sold for up to 200 EUR on Discogs, but I dug it up at a record market in Oslo for 1 EUR. It came out in 2000, made by two Norwegians, and I’ve actually gotten to know one of the guys behind it — this was their debut release.

There is a lot of talk about negative trends in the underground scene and how everything was better before. What positive trends to you see in the club scene and underground right now?
What feels especially positive right now is how rooted my focus has become in the local scene. I’m meeting so many people in Oslo—especially women—and there’s a growing sense of community and openness across styles. You’ll find techno heads at house parties, house DJs at techno nights, and a general willingness to cross boundaries. It feels more connected and in times of uncertainties the underground scene has become more important for a place to be free.

Are there any new artists or talents you think people should keep an eye on?
TB Shine — OG producer that more should know. His new Plight of the Gifted EP on Obi Trackz (which one track in the mix) captures the sound of tomorrow’s techno and breaks. It’s modern, futuristic, and forward-thinking.

Ronya and Nadda are two local DJs who express compelling stories through their music and sets. Ronya has a sharp digging mentality and nails deep, bass-heavy tech house, while Nadda leans toward electro, trance-tinged techno, and breaks. She’s also producing, and I feel honored every time she plays. I’d place my own style somewhere between theirs — they always catch my ear.